Mario Rizzi — Artist & Filmmaker CV
Selected Awards —
Selected Solo Exhibitions —
Selected Group Exhibitions & Film Festivals —
Film Screenings —
Curated Exhibitions —
Art Collections —
Academic Appointments—
Theses on my Artwork—
Selected Residencies—
Selected Bibliography —
Emanuele Cutsodontis, L’ospedale a misura di paziente. La Nazione, 12.04.26
Hamid Dabashi, Ghassan Kanafani: Palestine as Fact and Phenomenon. The Fertile Memory of Palestine. The Idea of a Palestinian. In: "After Savagery", 2025, Haymarket Books, USA, pp. 14-30
Manuela De Leonardis, Viaggi straordinari. Mario Rizzi in Giappone. exibart, 5.08.24
Neema Vitali, «une écologie des images» au cœur de l’Histoire. Art Critique, 3.04.24
Luisa Franzini, “Stories make us”: Raccontare la Palestina attraverso pratiche di storytelling. In: "Deportate, Esuli, Profughe", Università Ca’ Foscari Venice, Italy, September 2024
Yasmin Khan, 75 Years After the Palestinian Nakba. HYPERALLERGIC, 15.05.2023
Elena Bordignon, FOCUS sulla mostra Screens. Culture dello schermo e immagini in movimento. ATP DIARY, 21.09.2022
Jean-Paul Gavard-Perret, Mario Rizzi le féministe. Les Blogs de l’art helvétique contemporain, 20.09.2022
Hamid Dabashi, Anni Kanafani Lives Here. In: "BAYT", 2022, NERO Editions, Italy, pp 56-62
Stephanie Bailey, Portraits Of Bayt: On The Conviction Of Making Homes. In: "BAYT", 2022, NERO Editions, Italy, pp 74-81
Isin Õnol, Conditions Of Objection. In: "BAYT", 2022, NERO Editions, Italy, pp 102-109
Simone Frangi, (Un)Certain Assessment: Unravelling The Documentary Form, Going On Strike At The History-Making Factory, Listening To Anni. Notes On Mario Rizzi’s The Little Lantern. In: "BAYT", 2022, NERO Editions, Italy, pp 116-121
Roger Atta, Anni Høver Kanafani’s Lanterns. Almodon, 04.06.2022
Chiara Bontacchio, Con le mie opere cerco di dare voce alla marginalità. Berlino Magazine, Jan-Feb 2022
Hanno Rehlinger, Die Andere. Der Tagesspiegel, 9.01.2022
Sabrina Vedovotto, Racconti da lontano. Telescope - Quidmagazine, 15.03.2020
Manuela De Leonardis, Fiabe a Burj el Barajneh. Alias - Il Manifesto, 13.4.2019
Jonas Tinius, The privilege of life itself: sovereignty, power, and the figure of the refugee. In: "Bare Lives", 2017, Archive Books, Germany, pp 68-75
Charlotte Bank, Wandering Witness. In: "Bare Lives", 2017, Archive Books, Germany, pp 56-59
Solvej Helweg Ovesen, Giving shape to Life, Society and Oneself. In: "Bare Lives", 2017, Archive Books, Germany, pp 24-31
Bonaventure Soh Bejeng Ndikung, On Scars and Scarifications. In: "Bare Lives", 2017, Archive Books, Germany, pp 20-23
Hamid Dabashi, Sacred Souls, Bare Lives. In: "Bare Lives", 2017, Archive Books, Germany, pp 5-11
Cristiana Perrella, Altre voci, nuovi miti. Zero.eu, 18.10.2016
Isabel Mehl, Landkarten von Flucht und Ankommen. Artline.org, 24.5.2016
Sabine Weier, Migrant Identities After the Global Crisis. Camera Austria, #134/2016, pp 84-85
Cristiana Perrella, The Outsider. Ibraaz.org, 30.6.2016
Pia Lauro, Io e il Medio Oriente. Exibart.com, 25.2.2016
Manuela De Leonardis, L'arte sbocciata tra i rifugiati. Il Manifesto, 29.1.2016
Valentina Bruschi, Una mostra per scoprire Istanbul. Il Messaggero, 22.1.2016
Cristiana Perrella, La Primavera araba in un film. Artribune.com, 9.12.2015
Ida Panicelli, Mario Rizzi at Studio Stefania Miscetti. Critics' Picks, Artforum.com, December 2015
Ludovico Pratesi, La crisi siriana vista con gli occhi dell'arte. Exibart, 14.12.2015
Tilman Spreckelsen, Der dunkle Lord ist so flach wie nie. Frankfurter Allgemeine Zeitung, 16.11.2015
Rüdiger Otto von Brocken, Warten als Weg, um zu überleben. Husumer Nachrichten, 29.9.2015
Barbara Polla, L'humanisme envers et contre tout. L'Extension Suisse Mag, Printemps 2015, p 60
Dorothea Schoene, À la recherche d'une redéfinition de la condition humaine. In: "Penser la Méditerranée au XXI siècle", 2014, Éditions Parenthèses, France, pp 205-215
Stefania Crobe, L'attesa del ritorno. Il Giornale dell'Arte, 18.6.2013
Hamid Dabashi, Syrians, Camps and a New Cosmopolis. In: "The Waiting", 2013, argobooks, Germany, pp 5-15
Angelika Stepken, Al Intithar. In: "The Waiting", 2013, argobooks, Germany, pp 3-4
Dorothea Schoene, A State of Exception. Ibraaz.org, 8.5.2013
Dorothea Schoene, An Unconventional Angle. Ibraaz.org, 22.4.2013
Igal Avidan, Das lange Warten auf den Frieden. Zeit.de, 11.2.2013
Simon Rees, Murat ve Ismail. In: "Signs Taken in Wonder", 2013, Hatje Cantz, Germany, p 154
Dmitry Golynko, The Ethics of Human Biographies. Arterritory.com, January 2012
Sabine Vogel, "Biennials – Art on a Global Scale", 2010, Springer-Verlag, Wien, Austria
November Paynter, Taipei Biennial. Bidoun, #16, pp 161-162
Özge Ersoy, Hybrid Models in Art Infrastructure. RES, #4, pp 146-153
Simon Rees, 6th Taipei Biennial. Frieze, #120, pp 147-148
Vasif Kortun, The Chicken Soup. In: "Taipei Biennial 08", 2008, Taipei Fine Arts Museum, Taipei, pp 68-69
Domeniek Ruyters, Harteloos Nederland. De Volkskrant, 29.5.2008, pp 14-15
Bruno Latour, "Résidents". 2007, Editions du Panama, France, pp 192-195
Katerina Gregos, Mario Rizzi. Contemporary, #86, pp 54-55
Michele Robecchi, Mario Rizzi. Flash Art Italy, Vol. XXXIX, #255, pp 68-71
Grant Watson, EV+A. Flash Art Italy, Vol. XXXIX, #248, p 1
Sabine Vogel, International Istanbul Biennial. Critics’ Picks, Artforum.com, October 2005
Charles Esche, Murat ve Ismail. In: "9th International Istanbul Biennial", 2005, Istanbul Foundation for Culture and Arts, Turkey, pp 141-144
Jamie Robinson, Sharjah International Biennial 7. Contemporary, #76, pp 56-57
Kaelen Wilson-Goldie, Sharjah Biennial. Flash Art Italy, Vol. XXXVIII, #242, pp 71 & 90
Darren Tofts, The Odour Of A Rose: Media Arts At The Sydney Biennale. In: Journal of Media Arts Culture, July 2004
Isabel Carlos, Beyond Self-Expression. In: "Mario Rizzi 96_04", 2004, Skira, Italy, pp 25-32
Lilly Wei, South by Southeast. Art in America, #11, pp 58-65
Christian Rattemeyer, Biennale of Sydney. Artforum, Vol.43, #3, pp 238-239